Congratulations Viola
on the recent release of
The Page Turner!
The Page Turner by Viola Shipman
Romance, Family, Contemporary, 336 pages
Published April 8, 2025 by Graydon House
A young romance writer makes a discovery that throws her elitist family into chaos.
Emma Page grew up the black sheep in a bookish household, raised to believe fine literature is the only worthy type of fiction. Her parents, self-proclaimed “serious” authors who run their own vanity press, The Mighty Pages, mingle in highbrow social circles that look down on anything too popular or mainstream, while her sister, Jess, is a powerful social-media influencer whose stylish reviews can make or break a novel.
Hiding her own romance manuscript from her disapproving parents, Emma finds inspiration at the family cottage among the “fluff” they despise: the juicy summer romances that belonged to her late grandmother. But a chance discovery unearthed from her Gigi’s belongings reveals a secret that has the power to ruin her parents’ business and destroy their reputation in the industry—a secret that has already fallen into the hands of an unscrupulous publishing insider with a grudge to settle. Now Emma must decide: As much as she’s dreamed of the day her parents are forced to confront their own egos, can she really just sit back and watch The Mighty Pages be exposed and their legacy destroyed?
My thoughts about The Page Turner ~~
(I love to note the first lines of the books I'm reading. First lines can really grab a reader's attention and I love seeing where the author takes the reader after their first lines.)
First lines—"Prologue: Third-Person Limited. 'Let's start at the very beginning... A very good place to start'"
I have been a huge fan of Viola Shipman's stories since I read the very first one. They are full of feelings, family, and memories. The Page Turner took a little bit of a turn from the usual feel of her stories. There is plenty of family, but the drama this time took place more in the business world rather than the personal lives of the characters. So there was all of that business drama added to the family issues.
Emma Page doesn't fit into the family business but when a situation arises, she is thrown into the foray and discovers some long buried family secrets. Can things be set right or is it too late?
I thoroughly enjoyed The Page Turner and the only thing I'm sad about is that it's over and now I have to wait on Viola's next book.
I received an ARC of The Page Turner and this is my honest opinion of the book.
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Dear Reader:
My latest novel, The Page Turner, is a story about why we too often judge one another – and the books we read – by a glance at the collective cover without knowing what is inside. It is also a story about how reading and books not only change us but also save our lives. They did mine.
Growing up “different” in rural America in the 1970s – with no one like me and no one to talk to about what I was going through – I felt alone in this world. Books allowed me to escape, understand, heal, hope and realize there was a place for me in the world just as I was. My grandma – my pen name, Viola Shipman – sensed I was “different,” and she loved me unconditionally and made sure I cherished my uniqueness. Even though my grandma never finished high school, she was a voracious reader who pushed books into my hands from the earliest of ages and made it clear that reading and education would not only change my life but quite possibly save it.
Books allowed me to see a vast world beyond the small town in which I lived. They allowed me to not only escape from the cruelty I often experienced but also understand the reasons behind the hatred. They allowed me to see – as my grandma instilled in me – that being unique was a gift. Books aren’t just books. Books are family. Authors are friends. The stories we read are timestamps in our memories. They bookmark important chapters in our lives and growth. Books are a chance to right the wrong in the world, an opportunity to rewrite ourselves. We can reimagine and reinvent, see the world in an entirely new way simply by turning a page. Or, sometimes, we can just escape from our own lives.
As Carl Sagan wrote: “What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic."
That’s exactly how I feel when I read and write: Magical. Like a literary unicorn.
Authors tend to write about the same topics – love, death, hope, loss – and we use the same words, the same linguistic tool belt, but it’s how we bring those stories to life that sets us apart.
That is why The Page Turner is also about voice. Not only the voice Emma Page uses to bring her novel to life, but the voice she owns that makes her special and that she is unwilling to silence. We all have a voice. In fact, I bet yours is talking to you in your head right now. However, there’s a good chance that you’ve forgotten the power of your own voice, the beauty of your own uniqueness. As I address in this book, we tend to bury that out of fear: Fear of being different, as I was; fear of being unpopular; fear that our family or friends will disapprove; fear of, well, everything. And slowly that voice becomes so quiet, so distant, we don’t even hear it anymore, and we are no longer the unique souls we once were. We are far from being the people we once dreamed. This novel is about overcoming fear and rediscovering your voice. As I write: Every voice is important. Every story needs to be heard.
I was once consumed by fear. And then I found my voice again. In fact, when I first started writing and dreaming of being an author, I truly believed that there was a golden key that was passed around New York City. It was handed out — late at night, in a fancy restaurant under gilded lights and over expensive drinks — to “certain” authors. And I would never be one of them. I now know — and you certainly already do — that such a key does not exist. Dear Reader:
My latest novel, The Page Turner, is a story about why we too often judge one another – and the books we read – by a glance at the collective cover without knowing what is inside. It is also a story about how reading and books not only change us but also save our lives. They did mine.
Growing up “different” in rural America in the 1970s – with no one like me and no one to talk to about what I was going through – I felt alone in this world. Books allowed me to escape, understand, heal, hope and realize there was a place for me in the world just as I was. My grandma – my pen name, Viola Shipman – sensed I was “different,” and she loved me unconditionally and made sure I cherished my uniqueness. Even though my grandma never finished high school, she was a voracious reader who pushed books into my hands from the earliest of ages and made it clear that reading and education would not only change my life but quite possibly save it.
Books allowed me to see a vast world beyond the small town in which I lived. They allowed me to not only escape from the cruelty I often experienced but also understand the reasons behind the hatred. They allowed me to see – as my grandma instilled in me – that being unique was a gift. Books aren’t just books. Books are family. Authors are friends. The stories we read are timestamps in our memories. They bookmark important chapters in our lives and growth. Books are a chance to right the wrong in the world, an opportunity to rewrite ourselves. We can reimagine and reinvent, see the world in an entirely new way simply by turning a page. Or, sometimes, we can just escape from our own lives.
As Carl Sagan wrote: “What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic."
That’s exactly how I feel when I read and write: Magical. Like a literary unicorn.
Authors tend to write about the same topics – love, death, hope, loss – and we use the same words, the same linguistic tool belt, but it’s how we bring those stories to life that sets us apart.
That is why The Page Turner is also about voice. Not only the voice Emma Page uses to bring her novel to life, but the voice she owns that makes her special and that she is unwilling to silence. We all have a voice. In fact, I bet yours is talking to you in your head right now. However, there’s a good chance that you’ve forgotten the power of your own voice, the beauty of your own uniqueness. As I address in this book, we tend to bury that out of fear: Fear of being different, as I was; fear of being unpopular; fear that our family or friends will disapprove; fear of, well, everything. And slowly that voice becomes so quiet, so distant, we don’t even hear it anymore, and we are no longer the unique souls we once were. We are far from being the people we once dreamed. This novel is about overcoming fear and rediscovering your voice. As I write: Every voice is important. Every story needs to be heard.
I was once consumed by fear. And then I found my voice again. In fact, when I first started writing and dreaming of being an author, I truly believed that there was a golden key that was passed around New York City. It was handed out — late at night, in a fancy restaurant under gilded lights and over expensive drinks — to “certain” authors. And I would never be one of them. I now know — and you certainly already do — that such a key does not exist. The only key you need you already own: The one that unlocks the door to overcoming your fear and believing in your dream.
This book also addresses – with a wink and a nod – why I made the conscious decision to choose my grandmother’s name as a pen name for my fiction. My grandma was overlooked in society because as a poor, uneducated woman she didn’t offer anything of “value.” But look at the legacy she left – one that will live forever – simply by being selfless and loving unconditionally. When a reader walks into a library or bookstore a hundred years from now – long after I’m gone – and picks up one of my novels, says my grandmother’s name, understands the person she was and the sacrifices she made and, perhaps, reconnects with their own family history to understand how they came to be, then my work will be done and my “blink” will have mattered. All of which I honor in The Page Turner.
As an author, I write – like Emma does in the novel – what calls to me. it is the only thing we can do as writers and souls: Be ourselves. It also the only thing we should do as readers: Read what calls to us.
There is so much judgment in the world. Even down to the books we read. We are told what we should read, what is “hot,” “TikTok worthy,” “literary,” “smart.” We often put labels on books just as we do one another. Books for and about women are called “chick lit,” “women’s fiction,” “beach reads,” “summer sizzlers,” “romance,” and the implied meaning is that such books are fizzy and frivolous, less serious than others. Nothing could be further from the truth. I am still “judged” for what I write: It’s not deemed “literary” enough, or “highbrow” by some readers and critics. It’s “too emotional.”
I say, “Good!”
I grew up reading with my grandmas. Often, they would pluck books off the rounders in our old grocery story. They were books they could afford. Ones they could put in their pocket books. We read them together. We talked about them. I intentionally choose to make my books accessible to readers from eight to eighty. I intentionally don’t write them to be “admired” by a few. I could choose fancy words and dense plots. I could choose edgier themes and populate my books with bad people. But I heed the voice that calls to me. And I hear your voices.
Publishing is a big, tough business. It’s not for the faint of heart. I hope this book gives you some insights into what it’s like to be a writer, agent, or publisher today. I hope this story reminds you to read the books you love and that your history – good, bad, beautiful, ugly – should never be hidden or forgotten.
Books save us. We save each other.
And I will always write about hope – as sappy as many “critics” may deem it – because it’s the gift, along with a love of reading, that my grandmothers and mother gave me that has allowed me to survive in this tough world.
I will always write under my grandmother’s name – as is celebrated in the novel – because the history of those we love, who raised us and sacrificed for us to have better lives, matters.
I will see you soon with my new novel! Until then, keep reading and believing!
XOXO
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About the author
Viola Shipman is the pen name for internationally bestselling LGBTQIA author Wade Rouse. Wade is the author of fifteen books, which have been translated into 21 languages and sold over a million copies around the world. Wade writes under his grandmother’s name, Viola Shipman, to honor the working poor Ozarks seamstress whose sacrifices changed his family’s life and whose memory inspires his fiction.
Wade’s books have been selected multiple times as Must-Reads by NBC’s Today Show, Michigan Notable Books of the Year and Indie Next Picks. He lives in Michigan and California, and hosts Wine & Words with Wade, A Literary Happy Hour, every Thursday.
Connect with Viola/Wade
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